No. While all four are performing rights organizations, BMI, ASCAP, and SESAC collect and distribute royalties for songwriters, composers and music publishers related to the public performance of their copyrighted work. SoundExchange, on the other hand, collects and distributes royalties for featured recording artists and sound recording master rights owners (i.e.
Recording labels or independent musicians) related to the non-interactive digital transmissions (e.g. Via the internet or satellite radio) of their copyrighted recordings. So, in short, no, SoundExchange reporting does not supersede (or eliminate the need for) BMI/ASCAP/SESAC reporting. More.
I cant really gove you an answer,but what I can give you is a way to a solution, that is you have to find the anglde that you relate to or peaks your interest. A good paper is one that people get drawn into because it reaches them ln some way.As for me WW11 to me, I think of the holocaust and the effect it had on the survivors, their families and those who stood by and did nothing until it was too late.