All his 'drip paintings' e. G Number 5 Click link below to see it!
81 In 2012, Number 28, 1951, one of the artist’s combinations of drip and brushwork in shades of silvery gray with red, yellow and shots of blue and white, also sold at Christie's, New York, for $20.5 million — $23 million with fees — within its estimated range of $20 million to $30 million. The Pollock-Krasner Authentication Board was created by the Pollock-Krasner Foundation in 1990 to evaluate newly found works for an upcoming supplement to the 1978 catalogue. 83 In the past, however, the Pollock-Krasner Foundation has declined to be involved in authentication cases.
84 Untitled 1950, that New York-based Knoedler Gallery had sold in 2007 for $17 million to Pierre Lagrange, a London hedge-fund multi-millionaire, was subject to an authenticity suit before the United States District Court for the Southern District of New York. Done in the painter’s classic drip-and-splash style and signed “J. Pollock,” the modest-size painting (15 inches by 281 1/2 inches) was found to contain yellow paint pigments not commercially available until about 1970.
85 The suit was settled in a confidential agreement in 2012. Pollock's staining into raw canvas was adapted by Color Field painters Helen Frankenthaler and Morris Louis. Frank Stella made all over composition a hallmark of his works of the 1960s.
Happenings artist Allan Kaprow, sculptors Richard Serra, Eva Hesse and many contemporary artists have retained Pollock’s emphasis on the process of creation and were influenced by his approach to making art, rather than by the look of his work. National Gallery of Art web feature, includes highlights of Pollock's career, numerous examples of his work, photographs and motion footage of Pollock, plus an in-depth discussion of his 1950 painting Lavender Mist. Jackson Pollock's Number One 1948; How Can We Be Abandoned and Accurate at the Same Time?
Fractal Expressionism – the fractal qualities of Pollock's drip paintings.
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