How does an aspiring writer or artist get hooked up with Glass House?

As a writer myself, this looks to be better opportunity than the standard submission process. For a writer in today's comics climate, it's difficult. We currently rep eight very good writers -- some of them award-winning novelists -- and at any given time perhaps two of them are getting work.

At least I'll tell you the truth editors won't tell you: If you want to write comics full-time, get a job on staff. I'm not kidding. Here's the proof: Delete the guys with a British accent and mailing address.

Take away the artists who also write but started as artists. I think 95% of what you're left with as full-time writers are current or former staffers; the rest are the editor's best drinking buddies. Most hopeful writers don't want to believe me, but that's okay.

For an artist, it's simple: Do great work. I can get an artist a job with six pages, if they're teh right pages -- strong storytelling, great body language and facial expression, a consistent ability to draw everything well, and a ... more.

I cant really gove you an answer,but what I can give you is a way to a solution, that is you have to find the anglde that you relate to or peaks your interest. A good paper is one that people get drawn into because it reaches them ln some way.As for me WW11 to me, I think of the holocaust and the effect it had on the survivors, their families and those who stood by and did nothing until it was too late.