Robin dies by bleeding out He goes to a healer woman with either Will Scarlet or Little John (varies) because he was ill. Now the story again varies on whether is was the healer woman to bled him more than she should have (a common practice) for pay or if it was her brother who stabbed Robin in some revenge Either way he dies from blood loss in the end s last words was bury me where my last arrow falls.
The petition cites one Piers Venables of Aston, Derbyshire, "who having no liflode, ne sufficeante of goodes, gadered and assembled unto him many misdoers, beynge of his clothynge, and, in manere of insurrection, wente into the wodes in that countrie, like as it hadde be Robyn Hude and his meyne."28 The name was still used to describe sedition and treachery in 1605, when Guy Fawkes and his associates were branded "Robin Hoods" by Robert Cecil. The first allusion to a literary tradition of Robin Hood tales occurs in William Langland's Piers Plowman (c. The first mention of a quasi-historical Robin Hood is given in Andrew of Wyntoun's Orygynale Chronicle, written in about 1420.
The next notice is a statement in the Scotichronicon, composed by John of Fordun between 1377 and 1384, and revised by Walter Bower in about 1440. Among Bower's many interpolations is a passage that directly refers to Robin. It is inserted after Fordun's account of the defeat of Simon de Montfort and the punishment of his adherents.
Robin is represented as a fighter for de Montfort's cause. 30 This was in fact true of the historical outlaw of Sherwood Forest Roger Godberd, whose points of similarity to the Robin Hood of the ballads have often been noted. The word translated here as "murderer" is the Latin siccarius, from the Latin for "knife".
Bower goes on to tell a story about Robin Hood in which he refuses to flee from his enemies while hearing Mass in the greenwood, and then gains a surprise victory over them, apparently as a reward for his piety. Another reference, discovered by Julian Luxford in 2009, appears in the margin of the "Polychronicon" in the Eton College library. William Shakespeare makes reference to Robin Hood in his late-16th-century play The Two Gentlemen of Verona, one of his earliest.
In it, the character Valentine is banished from Milan and driven out through the forest where he is approached by outlaws who, upon meeting him, desire him as their leader. They comment, "By the bare scalp of Robin Hood's fat friar, This fellow were a king for our wild faction!"35 Robin Hood is also mentioned in As You Like It. Another reference is provided by Thomas Gale, Dean of York (c.
This inscription also appears on a grave in the grounds of Kirklees Priory near Kirklees Hall (see below). Robert is largely fictional by this time. The Gale note is inaccurate.
The medieval texts do not refer to him directly, but mediate their allusions through a body of accounts and reports: for Langland, Robin exists principally in "rimes", for Bower, "comedies and tragedies", while for Wyntoun he is "commendyd gude". Even in a legal context, where one would expect to find verifiable references to Robert, he is primarily a symbol, a generalized outlaw-figure rather than an individual. Consequently, in the medieval period itself, Robin Hood already belongs more to literature than to history.
In fact, in an anonymous song called Woman of c. There is at present little scholarly support for the view that tales of Robin Hood have stemmed from mythology or folklore, from fairies or other mythological origins, any such associations being regarded as later development. 39 The mythological theory does go back to at least to 1584, when Reginald Scot identified Robin Hood with the Germanic goblin "Hudgin" or Hodekin and associated him with Robin Goodfellow.
40 Maurice Keen41 provides a brief summary and useful critique of the once-popular view that Robin Hood had mythological origins, while (unlike some)42 refraining from utterly and finally dismissing it. 43 While Robin Hood and his men often show great skill in archery, swordplay and disguise, they are no more exaggerated than those characters in other ballads, such as Kinmont Willie, which were based on historical events. Robin Hood's role in the traditional May Day games could suggest pagan connections, but that role has not been traced earlier than the early 15th century.
However, it is uncontroversial that a Robin and Marion figured in 13th-century French "pastourelles" (of which Jeu de Robin et Marion c. In the Jeu de Robin and Marion, Robin and his companions have to rescue Marion from the clutches of a "lustful knight". 46 Dobson and Taylor in their survey of the legend, in which they reject the mythological theory, nevertheless regard it as "highly probable" that this French Robin's name and functions travelled to the English May Games where they fused with the Robin Hood legend.
The origin of the legend is claimed by some to have stemmed from actual outlaws, or from tales of outlaws, such as Hereward the Wake, Eustace the Monk, Fulk FitzWarin5 and William Wallace. 47 Hereward appears in a ballad much like Robin Hood and the Potter, and as the Hereward ballad is older, it appears to be the source. The ballad Adam Bell, Clym of the Cloughe and Wyllyam of Cloudeslee runs parallel to Robin Hood and the Monk, but it is not clear whether either one is the source for the other, or whether they merely show that such tales were told of outlaws.
Some early Robin Hood stories appear to be unique, such as the story wherein Robin gives a knight, generally called Richard at the Lee, money to pay off his mortgage to an abbot, but this may merely indicate that no parallels have survived. There are a number of theories that attempt to identify a historical Robin Hood. A difficulty with any such historical search is that "Robert" was in medieval England a very common given name, and "Robin" (or Robyn), especially in the 13th century, was its very common diminutive.
50 The surname "Hood" (or Hude or Hode etc.), referring ultimately to the head-covering, was also fairly common. Unsurprisingly, therefore, there are a number of people called "Robert Hood" or "Robin Hood" to be found in medieval records. Some of them are on record for having fallen afoul of the law, but this is not necessarily significant to the legend.
The early ballads give a number of possible historical clues: notably, the Gest names the reigning king as "Edward", but the ballads cannot be assumed to be reliable in such details.
I cant really gove you an answer,but what I can give you is a way to a solution, that is you have to find the anglde that you relate to or peaks your interest. A good paper is one that people get drawn into because it reaches them ln some way.As for me WW11 to me, I think of the holocaust and the effect it had on the survivors, their families and those who stood by and did nothing until it was too late.